Materials Spotlight: The Montessori Bells

October 28, 2024

Music is a form of language. Because our young children effortlessly absorb language, we, of course, provide them with opportunities to express themselves musically! One key material we use for this is the Montessori Bells.

The bells are perfectly tuned, each designed to deliver a distinct, pure tone when gently played with a mallet. Also aesthetically pleasing, the bells invite children into the world of music. This helps children develop a keen ear for pitch and tone, while encouraging an appreciation of musical instruments and expression.

The Montessori Bells

In our primary classrooms, the Montessori Bells are easily accessible on a specially designed wooden stand or table, each bell arranged in order according to its pitch.

There are two sets of 13 bells. One set has black and white stands and is set up in the back to serve as a control and is arranged like a piano keyboard (the white bells represent whole notes, while the black bells serve as the sharps and flats). The other set of bells has stands of natural, varnished wood, so we call them the brown bells. Each brown bell is paired with a white or black bell, and these 13 pairs of bells comprise the chromatic scale beginning at middle C.

The bells sit on boards that also serve as guides. The brown bells rest on a pattern of black and white rectangles corresponding to the keys of a piano.

Playing One or Two Bells

After our youngest children have learned how to care for materials and have had plenty of experience discriminating sounds with our sound cylinders, we show them how to play a single bell. This is a multi-part process: how to carry the bell, use a mallet to gently strike the bell to make a tone, appreciate the sound the bell makes, use a damper to stop the tone, and return the bell to its proper place in the set.

Returning the bell to its proper place prepares children for future work of pairing and grading the bells. So, we take time to model how to check that the tone of the brown bell matches the corresponding white (or black) bell behind it.

Once children learn these steps, they can select any of the brown bells to play. Eventually, we also show children how to choose and play two different brown bells. This experience helps children focus on the fact that the two bells look the same but sound different. Then, upon returning the bells to the set, children also get to work on finding where each brown bells goes (because there are two empty spaces) by matching the tone of the brown bells to the white or black bells in the back.

This may seem like quite an elaborate process for just “playing a bell or two.” However, we carefully break down each step so that even our youngest children can learn how to use this delicate instrument with precision while also beginning to hone in on the slight variations in each bell’s pitch.

Pairing

When we observe children’s success with this initial process, we introduce the challenge of pairing. This experience begins with the adult letting the child know in the lesson that the bells are on their boards in a particular order. We play up the brown bells and down the white bells so the child can hear the gradation and experience the impression of the C scale. Next we model how to remove four brown bells from their boards, mix them, and place them in an open space off to the side.

While showing this process, we reflect aloud how we could match the brown bells to their pairs when we had just two bells. We point out that we can use the same technique to find the matching pairs of the bells we just mixed up and moved to the side.

We start by moving one of the brown bells to a space in front of the first empty white space (always working from left to right). We play the white (control) bell and then the brown bell. If they sound the same, we move the bell up onto the white space on the board. If they sound different, we slide the bell to the right to be in front of the next empty white space and we repeat the process until finding the brown bell’s match and location. When all the brown bells are paired, we again play up the brown bells and down the white bells to check they are in the correct order.

Once we finish modeling, we select the same four bells, mix them to the side of the workspace, and invite the child to pair the bells. We stay long enough to see successful matching of the first bell, then we fade into the background and observe. If the child is successful, we remove the same four and invite the child to do it again. If the first round was successful, we invite the child to remove all the brown bells and pair them!

Grading the Diatonic and Chromatic Scale

After children can pair all eight bells successfully, we introduce grading. This time, children learn how to put all the brown bells in order by paying attention to the degree of difference between each tone. This time, rather than using the white control bells to determine the order of the scale, children mix up and play the brown bells, using their awareness of the change in pitch to compare and reorder the bells. This requires children to have an acute awareness of each tone and how they differ. We start with just the white bells which represent the whole notes, and later introduce mixing in the black bells to make the chromatic scale (with sharps and flats).

Language Material

After children have successfully paired and graded the diatonic scale, we also introduce the “writing and reading” component of the bells. Children learn the symbols and names for the pitches and match the pitches with their notes.

When writing in language, we have thoughts we want to express and we can write them down. Composers have melodies in their heads and they write those melodies by using the notes of the staff.

We use beautiful staff boards with small wooden circles so that children can learn how to place the notes on the staff and eventually even write their own music, similarly to how they write with the moveable alphabet. Like with spoken language, children first explore through writing and then reading melodies.

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Language Revealed: The Montessori Journey to Understanding Pronouns

By Danielle Giordano • March 9, 2026

When children begin working with pronouns in Montessori, they are not learning something entirely new. Instead, they are bringing to consciousness language they already use every day. Pronoun work builds slowly and intentionally. It is not about mastering grammar rules, but about understanding how language functions and how meaning is carried when words stand in for one another. Beginning With Experience, Not Explanation Montessori pronoun work begins with movement and spoken language, not written grammar. We start with little oral games to highlight how a pronoun functions, sometimes eliminating the pronoun (“Josie and John and Jack and Josiah are walking around the table.”) and other times emphasizing the pronoun (“They are walking around the table.”). The children love acting out the phrases, sometimes chanting, moving, watching one another, and laughing. Through these physical experiences, they begin to notice that we don’t always use names when we speak. Certain words take the place of a noun, and the meaning is still clear. At this stage, we don’t offer the term pronoun because we want children to simply experience its function. From Movement to Sentences Once children are ready for more structured language work, we introduce them to the Pronoun Grammar Box so they can build and rebuild sentences using color-coded cards for each part of speech. From one sentence to the next, only a few words change as nouns get replaced by pronouns. By comparing sentences, children discover that although the word changes, the sentence still makes sense. This comparison is essential. Rather than being told what a pronoun is, children see what it does. We then invite children to add grammar symbols to the sentence (noun, article, adjective, verb, preposition, adverb) until we finally draw attention to the remaining word: “This word is used in place of a noun.” Only then do we introduce the pronoun symbol: a purple isosceles triangle, the height of the noun symbol. Montessori Lore: The Pronoun’s Story There’s a beloved story about the pronoun symbol. Long ago, the pronoun was shorter and a different color. Wanting to be as important as the noun, it stretched itself taller and taller to reach the same height. As it stretched, its base became smaller and it turned purple from the effort of standing in the noun’s place. It’s a poetic reminder of what children discover through their work: a pronoun depends on the noun, borrowing its meaning while standing in for it. Why Pronouns Come Later Pronouns are more abstract than other parts of speech. To understand a pronoun, children must already have a strong, concrete understanding of the noun. For this reason, pronouns (along with interjections) are typically introduced later than other grammar symbols, often in the elementary years. Even then, one lesson is not enough. In Montessori, the real learning happens after the presentation, when we step back and children work independently with the material. The guide’s role is to show how to use the material, not to explain grammar in detail. Understanding emerges through repeated use. Deepening Understanding Through Play and Exploration As children grow more confident, the work expands to include: Transposition games, where pronouns are removed or replaced to explore how meaning changes. Command cards, which physically isolate pronouns through action. Personal pronoun charts, introducing first, second, and third person (singular and plural) through storytelling. The Verb Family, where children explore the close relationship between the verb, adverb, and pronoun. Children discover that pronouns often work closely with verbs, helping to carry action and meaning through a sentence. Subtleties Come Later At first, Montessori avoids getting caught in fine distinctions. Over time, children may explore nuances such as the difference between possessive pronouns (the book is mine) and possessive adjectives (my book). These discussions often happen later, sometimes with the support of grammar references, once children have a solid foundation. Language Revealed, Not Taught Through this carefully layered progression of movement, sentence work, symbols, and exploration, children develop a deep understanding of how words function differently in sentences. Montessori grammar invites children to discover how language works at their own pace through hands-on exploration. We don’t rush this process. So by the time children are ready to name the pronoun, it’s not a new idea. It’s something they already know. We invite you to visit our classrooms in Old Saybrook, CT to see firsthand the children’s joy of learning!

Sleep as a Skill: A Montessori Reflection for Baby Sleep Day

By Danielle Giordano • March 1, 2026

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The Quiet Landing: Why Children Need Time After School

By Danielle Giordano • February 10, 2026

When we pick up our children from school, it’s almost automatic to ask, “How was your day?” And just as automatically, the answers tend to fall flat: fine, good, okay, or sometimes nothing at all. As adults, we can probably relate. When someone asks about our day, we don’t always feel like revisiting every detail, especially before we’ve had a chance to rest or reset. For children, this challenge is even greater. In Montessori environments, children are immersed in experiences that are rich, complex, and often difficult to put into words. How does a young child explain the sensorial experience of carefully carrying each cube of the Pink Tower across the room? Or describe the quiet satisfaction of discovering that ten tens create a hundred square? Or articulate the subtle social negotiations that happen during community lunch? Even for older children, language often lags behind experience. Why “How Was Your Day?” Can Feel Like Too Much As children move into the elementary years, they are also navigating peer relationships that are still very black and white. A single interaction can color their entire perception of the day. So their reports may sound overly simple: someone was mean, someone was nice, the day was bad, the day was good. But often, the issue isn’t that children don’t want to share. Instead, the timing is off. Research on children’s nervous systems helps explain why. When children walk out of school, their brains are often still in a state of high alert. Throughout the day they’ve managed noise, social expectations, concentration, corrections, and constant stimulation. Their nervous system hasn’t fully shifted out of “school mode” yet. So it helps if we remember that we aren’t greeting children in their most rational state. Those first minutes after pickup are a transition, not a conversation window. When we jump in with questions too quickly, even well-meaning ones, we may unintentionally overwhelm our children’s nervous system, which hasn’t had time to settle. Connection Before Conversation In Montessori, we place great importance on transitions. We know children need time to move from one state of being to another, whether that’s arriving at school, moving between activities, or going home at the end of the day. Instead of starting with questions, we can start with presence. When we first see our children, a warm greeting that communicates “I’m happy to see you” goes a long way. Some children need a snack. Some need quiet. Some need movement, proximity, or simply space. This is not the moment to gather information. This is the moment to re-establish connection. When families allow even 10 to 12 minutes of quiet decompression after school, through silence, music, or simply being together, children regulate more quickly. Evening stress decreases, cooperation improves, and children are more likely to talk voluntarily later on. Rather than interrogating right after school. Try coexisting. This pause is deeply respectful. When Children Are Ready to Talk Later, after your child has had time to settle back into your care, you may notice that conversation begins naturally. This is often when children share what mattered most to them, not what we might have thought to ask about. When you do open the door to conversation, gentle specificity helps. Broad questions like “How was your day?” can feel overwhelming. Instead, try comments that invite reflection without pressure: “I noticed you seemed really focused when I picked you up.” “I’m here if you want to tell me about something you worked on today.” “What felt good about today?” Just as important as the words is our availability. Putting down the phone, pausing the logistics, and showing with our body language that we are truly listening makes it safer for children to share. Listening for Timing, Not Just Content This approach applies across ages. Even adolescents benefit from what some call a “quiet landing” after school. When we honor timing, we’re less likely to walk into the emotional residue of the day and more likely to build cooperation and connection later. In Montessori, we often say: regulation comes before reflection. Children don’t need us to extract their feelings. They need us to create the conditions where feelings can land safely. Sometimes that looks like silence. Sometimes it looks like presence. And sometimes, after enough space has been given, it looks like a child finally saying exactly what mattered most. So the question isn’t just “Do I listen to what my child says?” And instead becomes: “Do I listen for when they’re ready to speak?” Curious to learn more strategies to support your child during transitions? Set up a time to come visit here in [Your Town/Location]. We love to connect! .